Run Baby Run :: Malayalam movie review

Stay tuned for review or click here the link www.facebook.com/../mallusatellitebeats

THAPPANA MALAYALAM MOVIE REVIEW

Stay tuned for review Thappana or click here

www.facebook.com/../319068541471057

Satellite rights of new malayalam movies

Get the satellite/Tv/overseas rights of new malayalam movies
follow this link
www.facebook.com/../319068541471057

Satellite rights of new malayalam movies

Get the satellite/Tv/overseas rights of new malayalam movies
follow this link
www.facebook.com/../319068541471057

follow this link www.facebook.com/../319068541471057 for satellite rights of new malayalam movies

Mr. Marumakan- malayalam movie review

Stay tuned for review of Mr. Marumakan or click here

Stay tuned for review of Mr. Marumakan or click here

Thrivikram Srinivas’s “Gajapokkiri” is the Malayalam version of the Telugu movie “Julai” with Allu Arjun, Illeana D’cruz and Rajendraprasad in the main roles. Allu Arjun as Ravi is the gambling crook at loggerheads with Sonu Sood, who as Bittu, is a notorious thief. The two try to outwit each other and in the process gives rise to a sequence of hilarious situations which finally ends in an appropriate manner. The movie has an astonishing start which is likely to startle the audience and hold their attention for the rest ofthe period and the tempo is maintained right through to the end. Allu Arjun as the IPL betting man, is highly entertaining and times his wisecracks to perfection. He dances gracefully, dresses elegantly and fights spectacularly, and his strong screen presence adds fillip to the film. Allu Arjun in short, makes theaudience laugh and laugh and laugh. Rajendra Prasad as the shivering cop has another brilliantand outrageously funny role and his histrionics are absolutely fabulous. The combination of Allu Arjun and Rajendra Prasad makesit ten out of ten in humour. IlleanaD’cruz as Madhu plays perfect foil Allu Arjun and looks attractive anddesirable in the dance and romantic scenes. Also joining the entertaining trio are Brahmanandam and MS Narayana.Sonu Sood as Bittu fits the role and Brahmaji contributes his mite. Music by Devi Sri Prasad has already proved its quality by being on top of the charts. Dialogues by Thrivikraman are impressive while choreography is quite well done. Srinivasan’s direction is good and he has done a good job with screenplay as well. Editing too has been donecrisply and sensibly. Probably, second half could have been edited in a better manner. All in all, Trivikraman has done a fantastic job, tackling a revenge story and making it uproariously funny with his punch lines. He is wonderfully supported by the acting team, none being an exception, but Allu Arjun stands out with his majical performance. Rajendra Prasad as the cowardly cop who turns a new leaf, holds sway over the audience with another superbly comic act.

ivan megharoopan :REVIEW

“Ivan Megharoopan” is the portrayal of a wayward genius who lived life the way he wanted to, causing pain and agony to those around him. The story is based on the lifeand death of the great poet P.Kunhiraman Nair, but it is not a biography. It is a fictionalized version of the poet’s life. The character in the film, played by Prakash Bare, is KP Madhavan Nairwho was born in a noble family and was a child prodigy. He started writing poems from a veryyoung age but his philandering ways and lack of commitment in any relationship made him jump from one woman to another without any fulfillment. His first love Janaki gives way to poetess Saraswathi whose talents made Madhavan Nair uneasy. Soon he was away looking for other conquests but nowhere was he able to build a relationship. P Balachandran shows where his sympathies lay while portraying the tragic hero whose fall from grace is documented in a poignant manner. The director has taken care to project the extraordinarily gifted poet and through all the dirt and filth that are associated with the poet, he emerges in the end as an outstanding person whose failings could be forgiven. PrakashBare as the poet gives a magnificent performance, mixing the emotions of banter, sadness and romance and living the character in the film. Truly memorable indeed. Padmapriya, Shwetha Menon, Ramya Nambeesan and Anumol who enter the poet’s life at different times, have come off very well. Cinematography by Rajeev Ravi is absolutely fantastic and gives a surreal feeling of the world the poet lives in. Sharath has composed music of the highest standard which is not surprising, but here he has exceeded himself with some fantastic numbers, lifting the movie to a different zone. “Ivan Megharoopan” is the story of a giant of a man whose shadow lurks in the background even when not shown on the screen. It is the story of a man without a care in the world, a man who lived his life to the full and whose fame has not lost even a bit of glitter in the course of time. The film is engrossing, thought provoking and makes you heave a sigh of regret for the man whom we all start actually liking in the end. Verdict: Good

“Ivan Megharoopan” is the portrayal of a wayward genius who lived life the way he wanted to, causing pain and agony to those around him. The story is based on the lifeand death of the great poet P.Kunhiraman Nair, but it is not a biography. It is a fictionalized version of the poet’s life. The character in the film, played by Prakash Bare, is KP Madhavan Nairwho was born in a noble family and was a child prodigy. He started writing poems from a veryyoung age but his philandering ways and lack of commitment in any relationship made him jump from one woman to another without any fulfillment. His first love Janaki gives way to poetess Saraswathi whose talents made Madhavan Nair uneasy. Soon he was away looking for other conquests but nowhere was he able to build a relationship. P Balachandran shows where his sympathies lay while portraying the tragic hero whose fall from grace is documented in a poignant manner. The director has taken care to project the extraordinarily gifted poet and through all the dirt and filth that are associated with the poet, he emerges in the end as an outstanding person whose failings could be forgiven. PrakashBare as the poet gives a magnificent performance, mixing the emotions of banter, sadness and romance and living the character in the film. Truly memorable indeed. Padmapriya, Shwetha Menon, Ramya Nambeesan and Anumol who enter the poet’s life at different times, have come off very well. Cinematography by Rajeev Ravi is absolutely fantastic and gives a surreal feeling of the world the poet lives in. Sharath has composed music of the highest standard which is not surprising, but here he has exceeded himself with some fantastic numbers, lifting the movie to a different zone. “Ivan Megharoopan” is the story of a giant of a man whose shadow lurks in the background even when not shown on the screen. It is the story of a man without a care in the world, a man who lived his life to the full and whose fame has not lost even a bit of glitter in the course of time. The film is engrossing, thought provoking and makes you heave a sigh of regret for the man whom we all start actually liking in the end. Verdict: Good

Prithviraj has always been clear that his ultimate goal is to become a director. He has now announced that he is ready to direct a film on his own right. However, he is particular that the screenplay for his film must be written by none other than Ranjith. He has been pestering Ranjith with this request to write a screenplay suitable for his movie, Prithvi said in a recent interview. His close friendShaji Natesan has already assured Prithvi that he would take up the production of the film, he added. Talks on the Hindi remake of Prithvi’s Malayalam film “Veettilekulla Vazhi’ are progressing. Prithvi said that he himself would makethe Hindi remake of “Veettilekulla Vazhi”.

One of the most important news going rounds among film buffs is all about the Rajesh Pillai'snext project. Its announced today. His next film titled as "MOTOR CYCLE DIARIES". Director Sugeeth and Satheesh will produce this movie under the banner ofOrdinary Films. In "MotorCycle Diaries", a bullet is playing the central role. Kunchacho Boban and Nivin Pauly are in other cast. Deepu Mathew pens the thread. Music by Prasanth Pillai, DOP: Jomon T John, Editing by Mahesh Narayan, Costumes: SB Satheeshan, PRO:A.S.Dinesh and Stills by Sinat Savier. Rajesh Pillai is also working on the pre production of two other film projects simultaneously. "MotorCycle Diaries" starts rolling from November first week.

Fahadh fazil for a new change!!!!

Fahad Fazal has decided that a change is required and has now taken up a different role. He will be playing the part of a sexton(Kappiyar), thus gettingout of the image of a metropolitan youth. In fact, he was criticised for accepting only such roles in all his films. He took up the role of an auto driver in Lini Jose directed “Friday”, marking a change in his selection. “Friday” was shot in the backdrop of Alappuzha. In his new role, he appears as the sexton of a church situated in a small village and the story revolves around the church and people living around the church. The movie is named“Amen” and is directed by Lijo Pallissery whose earlier film was “City Of God”. “Amen” has plenty of music and dance and music direction is by Prashanth Pillai. There will be two heroines one of whom will be from outside India.

Fahad Fazal has decided that a change is required and has now taken up a different role. He will be playing the part of a sexton(Kappiyar), thus gettingout of the image of a metropolitan youth. In fact, he was criticised for accepting only such roles in all his films. He took up the role of an auto driver in Lini Jose directed “Friday”, marking a change in his selection. “Friday” was shot in the backdrop of Alappuzha. In his new role, he appears as the sexton of a church situated in a small village and the story revolves around the church and people living around the church. The movie is named“Amen” and is directed by Lijo Pallissery whose earlier film was “City Of God”. “Amen” has plenty of music and dance and music direction is by Prashanth Pillai. There will be two heroines one of whom will be from outside India.

NEW MALAYALAM MOVIES AND ITS SATELLITE RIGHTS

ASIANET

ORKUT ORU ORMAKKUTTU
KUNJALIYAN
SPANISH MASALA
SIMHASANAM
NAMUKKU PARKKAN
BACHELOR PARTY
SPIRIT
VADHYAR
SNAKE AND LADDER
GRYHANADHAN
MAYAMOHINI
LUMIERE BROTHERS
MASTERS
ACHANTE AANMAKKAL
CASANOVVA
FATHERS DAY

SURYA TV

CINEMA COMPANY
THATTATHIN MARAYATHU
USTHAD HOTEL
NAVAGATHARKKU SWAGATHAM
EZHAM SURYAN
HERO
MANJADIKKURU
DIAMOND NECKLACE
GRAND MASTER
DR.INNOCENTANU
22 FEMALE KOTTAYAM
COBRA
TRACK
OUTSIDER
ORDINARY
KARMAYOGI
SHIKKARI
CRIME STORY
NIDRA
OOMAKKUYIL PADUMBOL
DAM 999
IDEAL COUPLE
NJANUM ENTE FAMILIYUM
PADMASREE BHARATH DR.SAROJ KUMAR
ASURAVITHU

MAZHAVIL MANORAMA

KOCHI
THEMMADIKKOOTTAM
MULLASSERY MADHAVANKUTTY NEMAM PO
THIRUVAMBADI THAMBAN
MALLU SINGH
JOSEETANTE HERO
PULIVAL PATTANAM
KING & COMMISIONER
DHANYAM
ORANGE
THALSAMAYAM ORU PENKUTTY
EE ADUTHA KALATHU

KAIRALI

SECOND SHOW
VEENDUM KANNUR
MLA MANI PATHAM CLASSUM GHUSTHIYUM
COLLECTOR

AMRITHA

ARIKE
UNNAM
LAKSHMI VILASAM RENUKA MAKAN REGHUREMAN

JEEVAN

NADHA BRAHMAM



CHANGES ARE MOST WELCOME................

MOVIEWICKET

CINEMA COMPANY : MALAYALAM MOVIE REVIEW

You find yourself in a fix truly, when you see a bunch of youngsters in 'Cinema Company' dissecting a film that they have just seen, and expressing their displeasure at what they have been through for the last couple of hours. An odd two hours later in the cinema hall, you find yourself in exactly the same predicament, and with your hammer and tongs all set down, you settle down to take a closer look at what 'Cinema Company' is all about. 'Cinema Company' is all about four youngsters Panicker (Sanjeev), Paulachan (Basil), Fazal (Badri) and Paru (Shruthi) who have become thick friends, as thick as the Thick Rap, ever since they came across each other at the International Film Festival of Kerala. They share a love for films, and are called the 'Cinema Company' by all and sundry.  Their decision to make a film is quite all on a sudden, when being teased by a friend that they are basically jobless. Film making, they soon realize is no ordinary job, and they painfully get around the stumbling blocks one by one until their dream film gets to be made. Well, almost. I kinda really liked the build up of this film, and was surprised to see that the story suggests that whatever Fazal has been scripting comes true in real. It brings to mind the film that Paru has been talking about initially; the second half of which lost steam, and it comes to real in 'Cinema Company' as well! The resurrection of the film within the film is what carries 'Cinema Company' forward in the latter half, and it gets increasingly unconvincing with every passing moment. Everything falls into place eventually, and the film does get made. But the dramatics that precede the climax are absolutely out of place. Sometimes it so happens that a cinema that tries to be as 'uncinematic' as possible eventually does give in to the pressures that build up from all around. The superstar Rajeev Krishna (Nithin) being coerced to offer support to 'Cinema Company'' yet again is one such occasion that stands out like a real sore thumb. That the sequence itself turns out to be watch worthy thanks to Nithin's fine performance is another matter altogether. Which brings me to the impressive young blood that has been cast in the film. Basil, as is suggested in the film, does have the looks of a hero, and is bound to go a far way. I loved the performances of Sanjeev, Badri, Shruthi, Lakshmi, Sanam, Swasika and Shibla as well. 'Cinema Company' goes on to prove that there is so much of talent that lies unexplored in Malayalam cinema. Alphones' musical score, barring a Thick Rap that didn't appeal to my sensibilities, is impressive. Jibu Jacob's frames ensure that the film looks stunning on screen. If there is one thing that 'Cinema Company' has served, it's simply that it makes me want to wait for Mamas' next film. Having moved ahead by leaps and bounds since his debut film 'Paappi Appacha', the script might have failed him this time around, but this is a film maker who's bound to bounce back for more. And the next time, I'm sure, it's only gonna get better.